Brand strategy & 360° solutions
From positioning and architecture to launch playbooks that travel across television, print, OOH, retail, and the open feed — built for Indian markets first.
Twenty-five years of brand-craft, story-craft, and culture-work — from Ogilvy desks to भाव boards; from saffron-and-silk campaigns to films that travel from Jhumri to Janpath. This is the heartland's story, told in the idiom of the present.
Bharat is not nostalgia. It is the living, breathing centre of a billion stories — told in mother-tongues, sung at weddings, whispered in WhatsApp groups, performed at panchayats. To work with Bharat is not to translate it for India; it is to let Bharat speak in its own voice, in its own time.
For twenty-five years, the work has been this: to sit between the village and the boardroom, the temple and the timeline, the elder and the algorithm — and to find the line, the frame, the script that holds them all. Some call it advertising. Some call it brand-craft. We call it listening, then telling.
From Ogilvy and McCann to Ulka, JWT, and DDB Mudra. From category-defining FMCG to channel launches that became cultural events. From films for the nation's skill mission to campaigns for the police force that keeps a capital safe. The thread is one: stories that earn the right to be heard.
For a quarter-century, Devraj has written, directed, and shaped some of the country's most-watched campaigns. From early years at TBWA and Euro RSCG — where he coined Deewana Bana De and worked on the Jassi Jaisi Koi Nahin phenomenon — to leading creative across Ogilvy, FCB Ulka, McCann Erickson, ADK Fortune, and DDB Mudra.
His work has lived on television, in cinemas, and on the lips of viewers across भारत — for Hutch/Vodafone, Dabur, Zee, Sony Max, Colors, Tata Salt, Skill India, NABARD, and many more. He helmed creative at Bhaav, the specialist healthcare agency, before co-founding The Heartland Story.
His training, tellingly, is not just in advertising. It is also in Modern History, in Journalism, and in Hindustani vocal music at Bhatkhande, Lucknow. Perhaps this is why the work always carries the राग and the राज of Bharat together.
From positioning and architecture to launch playbooks that travel across television, print, OOH, retail, and the open feed — built for Indian markets first.
Hand-written scripts for films, campaigns and brand chapters. The kind of writing that gets memorised, mimicked, and quoted at the chai stall.
Native-first thinking for the Indian internet. Reels that don't feel imported. Threads that earn the scroll. Campaigns built for vernacular speed.
For founders, marketing leaders, government missions and institutions — sharp counsel on what to say, when, and to whom. Quietly, when needed.
Format-bending work — branded content, long-form film, mission-led storytelling, AR/voice experiments where they earn their place in the brief.
A specialist practice for ministries, missions and PSUs — translating policy into pride, scheme into story, intent into image.
A working sample, in placeholder form. Films and case studies will sit here — clickable, watchable, readable. Hover for the gist.
The Heartland Story partners with Augurs Technologies to carry ideas from script to shipped product — custom software, AI/ML, and platform delivery behind the storytelling.
Some of the most rewarding work has been in service of the public good — for ministries, missions, public-sector undertakings and institutions building भारत. Translating policy into pride. Schemes into stories. Intent into image. Below, a selection.
Brand chapters, films, campaigns, public-good missions, consulting mandates — the conversation begins with a single letter.